Study Op.69 No.18 B Major - Violin


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Cube reports on Scheuermann exhibit, and consequent interest and sales, encloses associated newspaper article; also on recent lecturing and composition activity. He is about to return the Hammer etching.

Recital Repertoire

Hoboken recounts recent travels. Schenker gives detailed comments, with music examples, on Cube's two piano sonatas, praising them highly and making suggestions for improvement.

Schenker acknowledges check; — comments on Hoboken's work on a Chopin Etude; — discusses an approach by Vrieslander; — explains how the possibility of a professorship at Heidelberg had come about. Vrieslander reports that Hoboken has given him notice to vacate, and rehearses the course of events leading up to this situation, events that intertwine with Vrieslander's obligations to the Photogrammarchiv.

Accepts Schenker's invitation to Hans Weisse's lecture, and gives two pieces of information. Schenker encloses the [Mozart calling] card, and sends an article from Der Kunstwart; he emphasizes that Moriz Violin's new institute is a "school," not a "seminar," and offers detailed advice; comments that his theory from Harmonielehre to Meisterwerk constitutes a self-contained whole; recommends use of C. His eyes have suffered and need complete rest.


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October 29, ]. Hoboken comments on some contemporary music; — he comments adversely on the new edition by Edouard Ganche of Chopin's works; — he may visit the Schenkers and bring Eva Boy with him.

Violin Repertoire | Sheet Music International

The Ganche edition is much worse than Hoboken has said. Reports on Vrieslander publication.

The Hobokens will not come to Reigersberg; — He re-sends his two songs for further comment; — He sends a booklet by Gottfried Benn; — They are isolated in Partenkirchen, and are distressed at events in Germany; — Alfred Cortot has visited the Photogram Archive and expressed an interest.

In writing of Hoboken's prospects as a composer, Schenker is not interested in creating imitation Bachs and Brahmses.


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Hoboken is gratified by Schenker's praise of his song compositions; — He will continue his Chopin projects someday, but is preoccupied with the worsening European political situation; — He comments on Kleiber, Max Graf, on Goos's estimate of Schenker's importance, and returns newspaper clippings that Schenker has sent him with comments.

Hoboken outlines plans to expand publicity for the Photogram Archive.

Schenker congratulates Cube on the graph he has sent, and reports on Der freie Satz and the continuation of the Urlinie-Tafeln. Jonas seeks advice on what to include in the first issue of the planned elucidatory editions; — distribution of his book is delayed until September; — Jonas is correcting proofs of two articles. Schenker lists the pieces he has worked through with Hoboken with a view to publication; puzzles over Furtwangler's lack of contact; outlines homeward travel.

Jonas reports on complimentary copies of Das Wesen and the plans for the elucidatory editions.

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Concertos, violin, orchestra, no. 1, op. 26, G minor

Once Der freie Satz is in print, he will give his mind to the continuation of the Urlinie-Tafeln. Schenker's name is included in the Spanish Enciclicopedia universale. Diary entry by Schenker for 23 November Diary entry by Schenker for 29 November Diary entry by Schenker for 6 December Diary entry by Schenker for 26 January Diary entry by Schenker for 29 April Diary entry by Schenker for 5 November Diary entry by Schenker for 25 November Diary entry by Schenker for 8 April Diary entry by Schenker for 9 April Diary entry by Schenker for 15 April Diary entry by Schenker for 17 April Diary entry by Schenker for 21 April Diary entry by Schenker for 6 October Diary entry by Schenker for 8 October Diary entry by Schenker for 10 October Diary entry by Schenker for 19 December Diary entry by Schenker for 27 April Diary entry by Schenker for 18 May Diary entry by Schenker for 15 July Diary entry by Schenker for 16 December Diary entry by Schenker for 4 October Diary entry by Schenker for 1 July Diary entry by Schenker for 16 September Diary entry by Schenker for 13 December Diary entry by Schenker for 7 January Diary entry by Schenker for 8 January Diary entry by Schenker for 16 January Diary entry by Schenker for 7 February Diary entry by Schenker for 12 February Diary entry by Schenker for 16 February Diary entry by Schenker for 17 March Diary entry by Schenker for 22 March Diary entry by Schenker for 19 April Diary entry by Schenker for 8 May Diary entry by Schenker for 15 June Diary entry by Schenker for 29 September Diary entry by Schenker for 4 December Diary entry by Schenker for 21 December Diary entry by Schenker for 17 January Diary entry by Schenker for 1 February Diary entry by Schenker for 4 February Diary entry by Schenker for 20 February Diary entry by Schenker for 23 February Diary entry by Schenker for 28 February Diary entry by Schenker for 26 April Diary entry by Schenker for 28 April Diary entry by Schenker for 10 June Diary entry by Schenker for 7 October Diary entry by Schenker for 22 November Diary entry by Schenker for 2 January Diary entry by Schenker for 30 January Diary entry by Schenker for 10 March Diary entry by Schenker for 31 March Diary entry by Schenker for 4 May Diary entry by Schenker for 6 May Diary entry by Schenker for 13 May Diary entry by Schenker for 9 June Diary entry by Schenker for 9 August Diary entry by Schenker for 30 September Diary entry by Schenker for 2 October Diary entry by Schenker for 3 October Diary entry by Schenker for 20 October Diary entry by Schenker for 26 October Diary entry by Schenker for 30 October Diary entry by Schenker for 31 October Diary entry by Schenker for 14 November Golka was worth watching.

This was quite a fetching performance. It seemed like Golka has the rare ability to, in a split second, ask each note how it would like to be played before laying down his fingers. Golka drew plenty of fireworks from the piano in the finale, yet never sounded forced. He imbued Ravel's flowing writing with a wealth of colour and dynamic range Adam Golka: La Mer.

Collections by or with: Hermann, Friedrich

Page Theatre, St. Mary's University Beethoven: Sonata No. Weil der Stadt Beethoven: Sonata No. Zorman Brahms: Sonata for violin and piano in G major, op. College of the Holy Cross St.

Repertoire

International Musicians Seminar, Prussia Cove. Chamber Music Institute at Holy Cross.

Classical Guitar Tablature - 2 October 12222

XV: Aiken Symphony Rachmaninoff: Concerto No. Frankly Music St. Redwood Arts St.

Study Op.69 No.18 B Major - Violin Study Op.69 No.18 B Major - Violin
Study Op.69 No.18 B Major - Violin Study Op.69 No.18 B Major - Violin
Study Op.69 No.18 B Major - Violin Study Op.69 No.18 B Major - Violin
Study Op.69 No.18 B Major - Violin Study Op.69 No.18 B Major - Violin
Study Op.69 No.18 B Major - Violin Study Op.69 No.18 B Major - Violin
Study Op.69 No.18 B Major - Violin Study Op.69 No.18 B Major - Violin

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