You set up a photo shoot with huge pancakes and syrup covered models — whoa! The painting stage was always going to happen and there was no way the artist could have been expected to get all the colours, models, reflections right in the syrup without original reference so hence the shoot was set up in Buenos Aires. Although the shoot turned out great there was an awful lot of retouching done by Diego Gravinese to get everything looking realistic.
Of course we kept coming back with our ideas on how to improve it and he did a fantastic job! The whole process took over a week of retouching before approval from the band before the pairing stage which took four weeks. Diego survived on only 5 hours of sleep a night throughout that time in order to deliver the painting artwork on time.
He went through a personal roller coaster with ups and downs being locked in his studio!
I have to ask this… what happened to those huge pancakes? Good choice to switch the heels to Christian Louboutin. The cover is hot but good lord those shoes are amazing….
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I actually got my copy of Hot Cakes from a local record store, since it came with a free patch. Intense and Personal Journey - Experience a dark, twisted and gripping story written exclusively for the game by acclaimed comic book author Paul Jenkins whose credits also include The Incredible Hulk, Wolverine, and the original The Darkness game. Distinctive Graphic-Noir Style - Graphic novel shading and color combined with the dramatic lighting of film noir pays tribute to the source material and brings the pages of the comic series to life.
Inspired by the popular comic book series created by Top Cow.
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Please select a specific package to create a widget for: The Darkness II. Create widget. Seafloor maps show the shelfbreak, where the continental shelf drops to the deep ocean. The shape of the ocean floor and the patterns of ocean currents above make for productive fishing grounds. In the bathymetric map above, the brighter areas show the relatively shallow waters tens to hundreds of meters depth of the continental shelf, while darker blues depict deeper water hundreds to thousands of meters.
The shelfbreak is the southwest to northeast ridge between the two.
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At the shelfbreak front, microscopic plant-like organisms—phytoplankton—explode in population in various seasons. Daytime chlorophyll concentrations on the South Atlantic Ocean surface reveal the presence of phytoplankton, which draw squid, fish, and other marine creatures to the area for feeding. The map above shows the distribution of chlorophyll in March along the coast of South America.
The amount of chlorophyll is a measure of how much phytoplankton is growing near the sea surface. Brighter whites and yellows show the areas with the highest concentrations; blues and green have low concentrations of chlorophyll.
Working in these high chlorophyll areas, fishermen from South America and Southeastern Asia light up the ocean with powerful lamps that attract the plankton and fish species that the squid feed on. The squid follow their prey toward the surface, where they are easier for fishermen to catch with jigging lines. Squid boats can carry more than a hundred of these lamps, generating as much as kilowatts of light per boat.
Squid fishermen use bright lights to draw fish and squid toward the sea surface at night. Scientists first noted such night-lighting of the seas in the late s and early s, while compiling the first maps of the Earth at night. NASA oceanographer Gene Feldman noted that some scientists also track natural ocean phenomena with the lights.
For instance, eddies in the Cook Strait off New Zealand can sometimes be outlined by fishing boats working the edges of these swirling, fertile masses of water and nutrients. On April 18 and 19, , daytime chlorophyll concentrations left and nighttime ocean lighting right line up in the South Atlantic.
Related Cover of Darkness: March 2012
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